2017 Rosso di Montalcino, La Cerbaiola, Salvioni (6 x Bottle)
Alessia Salvioni and her family did not make Brunello in 2014. Therefore, the only wine to taste during my winery visit this year was the 2017 Rosso di Montalcino. This is a charming and informal wine that reveals good volume and richness. The wine is redolent of wild cherry, blackberry and light touches of subtle spice. Nothing is out of place. The quality of the fruit depends on the older vines of the estate plus the thicker soils of the vineyards that are able to retain moisture even in warm vintages such as this. Careful fruit selection was implemented to achieve this quality.
2017 Rosso di Montalcino, La Cerbaiola, Salvioni (6 x Bottle)
Alessia Salvioni and her family did not make Brunello in 2014. Therefore, the only wine to taste during my winery visit this year was the 2017 Rosso di Montalcino. This is a charming and informal wine that reveals good volume and richness. The wine is redolent of wild cherry, blackberry and light touches of subtle spice. Nothing is out of place. The quality of the fruit depends on the older vines of the estate plus the thicker soils of the vineyards that are able to retain moisture even in warm vintages such as this. Careful fruit selection was implemented to achieve this quality.
Producer | Salvioni |
---|---|
Sub-Region | Montalcino |
Region | Tuscany |
Country | Italy |
Grape Variety | Sangiovese |
Vintage | 2017 |
Colour | Red |
ABV | 14.50% |
Style | Medium-Full , Dry |
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Vinous
The 2017 Rosso di Montalcino is an intense, racy wine. Readers will find a rich, textured Rosso that captures all the power of the year. The volatile acidity is on the higher side, which is not unusual for traditionally made wines, but it is something readers who are especially sensitive should be aware of. There is no shortage of personality or character, though, that much is clear, but a full appreciation of the Salvioni 2017 Rosso requires a forgiving palate. Both bottles I tasted showed similarly.
89 Points / Drinking 2019 - 2027
By Antonio Galloni / October 2019